However, if you are exporting video for use in another editing system or in a compositing application, such as Adobe After Effects, export at the maximum quality. Use a lossless codec, which is one that compresses without discarding information, and specify the data rate that the editing system supports for video capture and editing. With performance being the most important factor when deciding between a PC or a Mac, we take a look at why a PC is a better option to use Adobe's Premiere Pro video editing application compared to a Mac or iMac Pro 2019. Video post production. Serial BA2-QJYA-HPD See Also: CoSA After Effects 1.1, After Effects 3.1, After Effects 4.0, After. Learn how to compress file sizes in Adobe Premiere Pro without losing visual quality. Perfect for sending smaller files sizes online to another person. Last on our list of best video compressors is Adobe Premiere Pro. Compatible with all Adobe products, this powerful tool offers excellent features to compress video. Using it, you can work with various file formats and never fall short of an option. Available for both Mac and Windows, this video compressor software also offers a trial version.
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Whenexporting a movie, you choose a codec to compress theinformation for storage and transfer (such as on a DVD), and todecompress the information so it can be viewed again. The name 'codec'comes from an abbreviation of its function of compression and decompression.During compression, repetitive and unnecessary information in theoriginal file is discarded, causing the original file to lose information.For this reason, most codecs are considered lossy.Some codecs, though lossy, still allow the file to retain a highlevel of quality. The DV and MPEG codecs are especially good atmaintaining excellent quality. Compressing video reduces its filesize and data transfer rate, facilitating smooth playback and reducingstorage requirements. A variety of codecs are available; no singlecodec is the best for all situations. For example, the best codecfor compressing cartoon animation is generally not effective forcompressing live‑action video. When you export from Premiere Elements, you generally only need to chooseyour medium of delivery and the application will select the optimalcodec for you.
If you intend for your exported movie to be played back froma hard disk or CD, make sure that the codec you use to export yourvideo is available to the audience for your movie. Most codecs fordigital video and the web are already available on a majority ofsystems. However, if you are using a codec that's native to a particularproduct, make sure that your target audience uses the same product,or can easily obtain the codec that you used.
If you intend to create a DVD or record to tape, codec compatibilityis irrelevant. Chat iphone cam. Your audience only needs to have the hardware necessaryto play back the file.
Withsome video codecs, you can specify the data rate, whichcontrols the amount of video information that is processed eachsecond during playback. Specifying a data rate in Premiere Elements sets the maximum datarate because the actual data rate varies according to the visualcontent of each frame.
The data rate you specify depends on the purpose of the video.The following list describes data rate guidelines for some uses:
Thedata rate should maximize quality while fitting the entire programwithin the space available on the DVD. By default, Premiere Elements automatically adjusts the DVDdata rate.
Thedata rate should be well within the data transfer rate of your harddisk because the video will be played back from the hard disk tothe recording device. Check your documentation for information on thedata transfer rate of your hard disk.
Determine the typical data transfer rate of your audience's harddisks and set the data rate accordingly. Generally, 7200 rpm harddisks have sustained data rates of 20 to 35 MB per second, whichis high. In comparison, the average data rate of digital video is3.6 MB per second. So, to achieve high-quality playback, you maynot need to set the data rate as high as 20 to 35 MB per second.However, if you are exporting video for use in another editing systemor in a compositing application, such as Adobe After Effects, exportat the maximum quality. Use a lossless codec, which is one thatcompresses without discarding information, and specify the datarate that the editing system supports for video capture and editing.
Thedata rate depends on the speed of the CD drive. For example, ifyou are preparing a final video file for a double‑speed CD‑ROM drive (300kilobytes per second) you might specify between 150 kilobytes and 200 kilobytesper second to account for both the data rate of the drive and the systemoverhead required to move the data.
Thedata rate can be 100 kilobytes per second or faster, depending onthe speed of your intranet. An intranet isan in‑house or private network that uses Internet network protocols.Because they are limited in scope, intranets generally use higher‑qualitycommunications lines than standard telephone lines, so they areusually much faster than the Internet.
Though thereare fewer users with dial‑up connections than in previous years,you should still consider tailoring your data rate to users stillemploying this method of accessing the Internet if you want yourfile to be viewable to the largest number of users. Streaming videoon the web is constrained by the limited bandwidth (56 KB or less)of most consumer modems. Use a higher bitrate if you know your audiencehas broadband Internet access, such as DSL or cable modem service.
Thedata rate is very important due to the relatively small size, capacity,and lesser speed of handheld devices. The data rate can range from8 to 90 kilobits per second, depending upon the device. You canchoose preset QuickTime export options in Premiere Elements toexport a file optimized for playback on a handheld device.
The data rate is less important than the size of the videofile because the main concern is how long it takes to download thefile. However, it still may be desirable to reduce the data ratefor downloaded video because doing so reduces the size of the videofile, making it download faster.
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Compressionkeyframes are different from the keyframes that you use to control trackor clip properties, such as audio volume or clip rotation. Whenyou export a movie, Premiere Elements automaticallyplaces compression keyframes at regular intervals in the movie.During compression, these keyframes are stored as complete frames.The frames between the keyframes are called intermediate frames. Premiere Elements compares each intermediate frameto the frame before it and stores only the data that is different.This process can greatly reduce file size, depending on the spacingof the keyframes. Fewer keyframes and more intermediate frames resultin smaller file sizes with lower-quality images and playback. Morekeyframes and fewer intermediate frames result in significantly largerfile sizes with higher-quality images and playback.
For example, a video of a talking person has a smaller file sizethan a video with lots of action, because only the mouth and tinyfacial expressions change frame to frame. In contrast, a video ofa sporting event requires numerous keyframes and intermediate frames,because the action changes considerably frame to frame. This resultsin either a larger file size or lower quality playback, depending onhow much you compress the video.
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Choosing compression settings is a balancing act. You need toadjust the setting depending on the type of video material, thetarget delivery format, and the intended audience. Often, the optimalcompression setting is arrived at through trial and error.